Thank you for considering Proximity for the publication of your true stories. We encourage the submission of original work from everyone---especially women, writers of color, and marginalized individuals, including gender-nonconforming and LGBTQ writers. We are committed to intersectionality and our founding mission.

Submissions must be previously unpublished (#) and submitted to Proximity for publication in one of the following categories: long-form (6,000 words maximum), mid-range (2,000 words maximum), flash (500 words maximum), or photo essay/multimedia. Multiple submissions and alternative forms of true stories are welcome and encouraged. ** See the Proximity website for frequently asked questions.

#PleaseNote: Although we do not accept previously published work, we do make exceptions for book excerpts from memoirs / narrative nonfiction / essay collections slated for publication or published no more than three years ago.
$5.00

Out of respect for the wide spectrum of creative nonfiction, we’ve decided to split this contest in two, affording us the opportunity to recognize the best in both personal and documentary storytelling. We’re pleased to announce: The 2017 Proximity Personal Essay Prize and Narrative Journalism Prize.

 

The 2017 Proximity Narrative Journalism Prize

Theme: WORK

Judge: Ted Conover

Ted Conover‘s Newjack: Guarding Sing Sing won the National Book Critics Circle Award for nonfiction and was a finalist for the Pulitzer Prize. His latest book is Immersion: A Writer’s Guide to Going Deep. Conover is also the author of Rolling Nowhere: Riding the Rails with America’s Hoboes, Coyotes: A Journey Across Borders with America’s Mexican Migrants, Whiteout, and The Routes of Man. He contributes to the New York Times Magazine, Harpers, The Atlantic, The New Yorker, and other publications. Recipient of a Guggenheim Fellowship, he teaches at the Arthur L. Carter Journalism Institute of New York University.

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For its second annual prize issue, Proximity Magazine is looking for true stories that explore the theme of WORK. Work defines our lives and our livelihoods. Work is labor. Work is art. Work is paid or unpaid, public or private or under the table. Work is at the heart of healthy relationships. Work puts food on the table. Work takes us out of our comfort zones. Work is political.

We’re looking for true stories that explore the many interpretations of WORK. All in a day’s work. Hard work. Dirty work. Grunt work. A piece of work. Work spouse. It’s good work if you can get it. Work your ass off. Work your way up. Keep up the good work. Work out. Work nights. Work like a dog. Work yourself up. Work wonders. Work together. Work ’til you drop.

As always, we seek stories across a wide range of forms with a strong sense of place — so keep that in mind as you send us your personal essays, photo essays, reportage, flash nonfiction, true poems, and multimedia around the theme of WORK.

Do you have a WORK story to share? We want to read it (or see it, or take a listen).

Deadline: July 1, 2017

Entry Fee: $5, multiple entries accepted.

Each Prize winner will be awarded $200. Entry fees go toward this award, and any fees that push past the cost of running this contest will be put forth to pay Proximity writers in 2018. Finalists will be announced in advance. Winners will be announced in October, the day of publication. All finalists will be published in our annual anthology and a selection among them will be published in Issue 16.

>> For details on word count, multiple submissions, previously published work, and other questions you might have, please visit our Prize information page and FAQs. We also advise that you familiarize yourself with Proximity's past issues. <<

* * *

Thank you for considering Proximity for the publication of your true stories. We encourage the submission of original work from everyone---especially women, writers of color, and marginalized individuals, including gender-nonconforming and LGBTQ writers. We are committed to intersectionality and our founding mission.

Submissions must be previously unpublished (#) and submitted to Proximity for publication in one of the following categories: long-form (6,000 words maximum), mid-range (2,000 words maximum), flash (500 words maximum), or photo essay/multimedia. Multiple submissions and alternative forms of true stories are welcome and encouraged. ** See the Proximity website for frequently asked questions.

#PleaseNote: Although we do not accept previously published work, we do make exceptions for book excerpts from memoirs / narrative nonfiction / essay collections slated for publication or published no more than three years ago.

 

Ends on July 1, 2017
Editor: Santi Elijah Holley & Erica Trabold (Guest Editors)
Deadline: July 1, 2017

What material do you find yourself revisiting when you sit down to write? Which memories have transformed into the kind of stories could you tell again and again? Nonfiction writing often resembles the process of REUSE -- an act that is both intentional and responsible in a consumer-based society. A story that is familiar informs an idea that is new, a question that is old leads to an answer more complex than it first appeared. Reusing denies the disposal of what may be considered imperfect or messy, and instead embraces change. Further, the subjects nonfiction writers are able to surmount often have real-world consequences -- climates changing, landscapes depleting, entire cultures obsessing over what is “new and improved.” The writer remains in the unique position to comment on the more challenging aspects of culture.

Remembering. Reimagining. Researching. Rearranging.

For this issue of Proximity, we are looking for submissions that showcase nonfiction’s relationship to REUSE and all its permutations. What reusable materials -- papers, plastics, forms, styles, memories, fashion, family heirlooms -- can help reveal something important about the larger world? We want writing that is interested in what emerges, or reemerges, from the process of reflection and rediscovery.

And because Proximity is interested in nonfiction with a strong sense of place, we are especially excited to read work that touches on issues related to land and the environment.

Guest Editor SANTI ELIJAH HOLLEY has contributed fiction, essays, and journalism to Tin House, VICE, Pacifica Literary Review, Monkeybicycle, SmokeLong Quarterly, and NAILED, among other places. He is a contributing writer for The Portland Mercury, Portland's alternative weekly newspaper, and a contributing writer for Los Angeles-based ENDPAIN. A recipient of the 2017 Oregon Literary Fellowship, Holley lives in Portland, Oregon.

Guest Editor ERICA TRABOLD is a writer of family and memory at work on a collection of essays that populate the Midwestern landscape with prairie flowers, young girls, and an investigation of friendship and motherhood. Her essays have appeared in Proximity, Seneca Review, and The Collagist, and are forthcoming in Passages North, South Dakota Review, and an anthology of lyric essays by Tinderbox Editions. A Nebraska native, Erica currently lives in Oregon, where she graduated with an MFA from Oregon State University and served as the nonfiction editor of 45th Parallel Magazine. She writes for the Pleiades Book Review and was a 2016 artist-in-residence at the Kimmel Harding Nelson Center for the Arts. 

The Proximity editorial team has decided to launch a new editorial fellowship program for readers, writers, and students seeking editorial experience with a literary magazine. Preference will be given to graduate students in creative writing, journalism, and editing programs, though others are encouraged to apply. This is an open application call for a virtual position with no deadline, but rather a rolling application process. Moving forward, each issue's editor will peruse the vault of applicants and select one fellow for that issue. Each fellow will commit to working with an issue editor for a minimum of three months. Fellows will be acknowledged on our masthead as an Editorial Assistant for that issue and assist with a wide-ranging set of tasks (reading submissions, social media marketing, final copy edits, coordinating with contributors, etc. -- no coffee fetching or copy machines here!). Each editor-assistant-editor relationship will differ in time commitment and tasks.

Annually, each of our editors are responsible for one issue. Those pub dates, editors, and (min) assistant editor time commitments are as follows:

Stacy Muszyknski (Issue 13: November - January 2017)
Shasta Grant (Issue 14: February - April 2017)
Brad Modlin (Issue 15: May - July 2017)
Carrie Kilman (Issue 16: August - October 2017)
Erica Trabold (Issue 17: November - January 2018)

To apply, please submit your CV and cover letter.